savvy-leigh:

:D

savvy-leigh:

:D

(Source: rawsalt)

smonia:


TG: i just want you to know that youre the only person i would ever be seen wrapped in a fish patterned blanket with
GG: nice to know :)

smonia:

TG: i just want you to know that youre the only person i would ever be seen wrapped in a fish patterned blanket with

GG: nice to know :)

jackie—boy:

6 Favourite Screencaps | A.I.: Artificial Intelligence

jackie—boy:

6 Favourite Screencaps | A.I.: Artificial Intelligence

incessantconfusion:

From: Fish&Chips.
really lovely pixel!

incessantconfusion:

From: Fish&Chips.

really lovely pixel!

Among the brand-name French theorists of the mid-20th century, Roland Barthes was the fun one. (Foucault was the tough one, Derrida was the dreamy one, Lacan was the mysterious one — I like to imagine them sometimes as a black-turtlenecked, clove-smoking boy band called Hors de Texte, with the hit album “Discipline ’n’ Punish.”)

Sam Anderson, opening his NYT Mag riff on Mythologies with quite possibly the greatest lede of all time. (via millionsmillions) —

theshadowofyoursong:

theyellowbastard:

“The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics, is hopeless.”
—Hayao Miyazaki

One of my very favourite recurring themes in Miyazaki’s work - especially in Spirited Away - is how the grotesque and initially threatening reveals itself to be benign and even compassionate. It’s so beautiful, and a lot more meaningful than the typical good-evil/black-white dichotomy of other mythology.

theshadowofyoursong:

theyellowbastard:

The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics, is hopeless.

—Hayao Miyazaki

One of my very favourite recurring themes in Miyazaki’s work - especially in Spirited Away - is how the grotesque and initially threatening reveals itself to be benign and even compassionate. It’s so beautiful, and a lot more meaningful than the typical good-evil/black-white dichotomy of other mythology.

(Source: akiseru)